At WPI, I have had the honor of being a Lab RAT during my undergraduate studies. There, I have played roles in interdisciplinary projects to create new technological innovations related to the electric guitar. Projects have included effects pedal design using digital signal processing (DSP) and pickup modifications.
The reverse-engineering and small-scale manufacturing of the Parker Fly vibrato spring, advised by Professors Fiona Levey and VJ Manzo. This project replicated and improved upon the existing Parker Fly guitar spring by designing a bending machine and heat treatment protocol to match the company’s specifications.
This finalist MQP at Worcester Polytechnic Institute was presented at the ASEE Northeastern Conference in 2024.
A reimagination of one of Les Paul's inventions titled the "Les Paulverizer". In this rendition, a console attaches to a guitar body and sends MIDI information to a computer (via USB) in order to play audio clips and adjust parameters inside of a Digital Audio Workstation (DAW) with an easy and hassle-free setup process.
The Paulverizer is now on display in the Les Paul exhibit at the Waukesha County museum in Wisconsin.
Working in correspondence with Pigtronix to prototype a digital effect pedal inspired by the Korg MS-20. Features a track-and-hold setting, resonance filters, and full harmonic range.
Inspired by the guitar effects created by St. Vincent in her song "Bring Me Your Loves", this pedal creates a ramp pitch shift upon momentary button press whose rate is customizable with a potentiometer. It is currently in process of being housed in a new pedal box, but its programming is complete.
Co-created and currently in use with Imogen Barnes.
Creating a natural sounding tube overdrive sound using a simple MOSFET biasing circuit.
Designed for Motherwise.
Based in the makerspace at Academic City University College in Accra, Ghana, I worked alongside Kerry Bushway and Hannah Zink to create a pinball machine installation. It features sound-reactive lights that run through an Arduino and LED strips, along with complex cut designs using a laser cutter.
A musical robot that controls the volume flow rate of water into eight flasks where the amount of water in each flask generates a specific pitch. The robot then is able to strike each flask with an exciter, which is programmed into Max to be able to play off of MIDI data.
Rewiring a Parker Fly to include an ACOUSTI-Phonic Guitar Pre-Amp by Ghost.
Using digital sound processing to be able to add select signals to the output signal of an electric guitar (ex. 60 Hz buzz, white noise, signal from a shaker mic)
Using the ideas of the Les Paulverizer, creating and installing a smaller version of a soundbox used in horror film soundtracks onto the body of the guitar. The resulting sounds will then mix with the output of the magnetic pickups of the guitar to then go through an effects pedal board for some strange ambience.
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